#this sucks but i had fun. so.

[scruff-mutt]

dk doom mf rap

[chloesimaginationthings]

FNAF Into the pit got William Afton a new hater..

[inkskinned]

so one of the things that's so horrifying about birth control is that you have to, like, navigate this incredibly personal choice about your body and yet also face the epitome of misogyny. like, someone in the comments will say it wasn't that bad for me, and you'll be utterly silenced. like, everyone treats birth control like something that's super dirty. like, you have no fucking information or control over this thing because certain powerful people find it icky.

first it was the oral contraceptives. you went on those young, mostly for reasons unrelated to birth control - even your dermatologist suggested them to control your acne. the list of side effects was longer than your arm, and you just stared at it, horrified.

it made you so mentally ill, but you just heard that this was adulthood. that, yes, there are of course side effects, what did you expect. one day you looked up yasmin makes me depressed because surely this was far too intense, and you discovered that over 12,000 lawsuits had been successfully filed against the brand. it remains commonly prescribed on the open market. you switched brands a few times before oral contraceptives stopped being in any way effective. your doctor just, like, shrugged and said you could try a different brand again.

and the thing is that you're a feminist. you know from your own experience that birth control can be lifesaving, and that even when used for birth control - it is necessary healthcare. you have seen it save so many people from such bad situations, yourself included. it is critical that any person has access to birth control, and you would never suggest that we just get rid of all of it.

you were a little skeeved out by the implant (heard too many bad stories about it) and figured - okay, iud. it was some of the worst pain you've ever fucking experienced, and you did it with a small number of tylenol in your system (3), like you were getting your bikini line waxed instead of something practically sewn into your body.

and what's wild is that because sometimes it isn't a painful insertion process, it is vanishingly rare to find a doctor that will actually numb the area. while your doctor was talking to you about which brand to choose, you were thinking about the other ways you've been injured in your life. you thought about how you had a suspicious mole frozen off - something so small and easy - and how they'd numbed a huge area. you thought about when you broke your wrist and didn't actually notice, because you'd thought it was a sprain.

your understanding of pain is that how the human body responds to injury doesn't always relate to the actual pain tolerance of the person - it's more about how lucky that person is physically. maybe they broke it in a perfect way. maybe they happened to get hurt in a place without a lot of nerve endings. some people can handle a broken femur but crumble under a sore tooth. there's no true way to predict how "much" something actually hurts.

in no other situation would it be appropriate for doctors to ignore pain. just because someone can break their wrist and not feel it doesn't mean no one should receive pain meds for a broken wrist. it just means that particular person was lucky about it. it should not define treatment.

in the comments of videos about IUDs, literally thousands of people report agony. blinding, nauseating, soul-crushing agony. they say things like i had 2 kids and this was the worst thing i ever experienced or i literally have a tattoo on my ribs and it felt like a tickle. this thing almost killed me or would rather run into traffic than ever feel that again.

so it's either true that every single person who reports severe pain is exaggerating. or it's true that it's far more likely you will experience pain, rather than "just a pinch." and yet - there's nothing fucking been done about it. it kind of feels like a shrug is layered on top of everything - since technically it's elective, isn't it kind of your fault for agreeing to select it? stop being fearmongering. stop being defensive.

you fucking needed yours. you are almost weirdly protective of it. yours was so important for your physical and mental health. it helped you off hormonal birth control and even started helping some of your symptoms. it still fucking hurt for no fucking reason.

once while recovering from surgery, they offered you like 15 days of vicodin. you only took 2 of them. you've been offered oxy for tonsillitis. you turned down opioids while recovering from your wisdom tooth extraction. everything else has the option. you fucking drove yourself home after it, shocked and quietly weeping, feeling like something very bad had just happened. the nurse that held your hand during the experience looked down at you, tears in her eyes, and said - i know. this is cruelty in action.

and it's fucked up because the conversation is never just "hey, so the way we are doing this is fucking barbaric and doctors should be required to offer serious pain meds" - it's usually something around the lines of "well, it didn't kill you, did it?"

you just found out that removing that little bitch will hurt just as bad. a little pinch like how oral contraceptives have "some" serious symptoms. like your life and pain are expendable or not really important. like maybe we are all hysterical about it?

hysteria comes from the latin word for uterus, which is great!

you stand here at a crossroads. like - this thing is so important. did they really have to make it so fucking dangerous. and why is it that if you make a complaint, you're told - i didn't even want you to have this in the first place. we're told be careful what you wish for. we're told that it's our fault for wanting something so illict; we could simply choose not to need medication. that maybe if we don't like the scraps, we should get ready to starve.

we have been saying for so long - "i'm not asking you to remove the option, i'm asking you to reconsider the risk." this entire time we hear: well, this is what you wanted, isn't it?

[ruporas]

… and it all came flowing to his brain, three years of his youth. (ID in alt)

[glassrunner]

"Fuck, man. What else is there to say?"

Excerpts from the BoJack Horseman Pony Express

MOUTHWASHING (2024), dev. Wrong Organ

[quimiri]

teamfortes :)

[heynhay]

merry Christmas klancers 🎅

[hoshiina]

pairing: hoshina soushirou x gn!reader (no prns)

request: hii ive been superr into kn8 recently and was wondering if i could req a lil hoshina fic/ imagine wherein theyre in an established relationship and like no one knows and reader can be like a capt or vice capt from a diff division who was visiting or like was also assigned to the same mission/ is the back up and if its ok to req that reader’s fighting style is like that of shinobu’s where its more on piercing motions rather than slicing. im a sucker for secret relationships where they just dont say it out loud but theyre not exactly hiding it either. thank uu

notes: you have a horrible ex (gender not mentioned), TYSM FOR THE REQ im so sorry it took so long to get to

wc: 1900

You didn’t have a good prior experience with dating in secret. Or rather, you had an awful experience before so near the beginning of your relationship when you had to decide what to do, it was a rather tough decision to make. You and Hoshina had been close friends since far before this relationship and so he knew all about how your ex had been seeing other people while keeping your relationship “private”. It was a no-brainer for him truly— he had told you that he thought to make it public before you had even mentioned it, but you asked him to wait a little first. While it thrilled you that he wouldn’t even hesitate to make your relationship known, he was the vice-captain of the famous 3rd division at the end of the day, and you were also a vice-captain yourself. If you had disclosed this to even your fellow officers, it would make it out somehow and that would make it a relatively big deal.

That being said, it still frightened you to keep a relationship private even if you knew Hoshina would never do anything horrible, making it a rather difficult decision for you to make.

Yet as time passed, you felt sure that you were okay with it being private. Rather, you almost preferred it that way. You the way Hoshina’s face would light up when you walked into a room and it would have people questioning him, only for him to smile and play it off somehow. Yet, he'd hold eye contact with you from across the room and smile— just at you. He'd very obviously look for excuses to come visit your division when he could get anyone else in the 3rd division to grab some documents— anyone who wasn't the vice-captain with loads and loads of things to do, yet only you would see the look he gave you when he walked into your captain's office. He’d then find time to pop by your office just to say a quick “love you” before he’d hurry back to his division to tackle the mountain of work he’d given himself. It was silly; there was no need for him to do so for a couple more minutes with someone he lived with, but he loved to be with you and you loved to be with him. And he'd do anything to make you happy.

Before you knew it, you were fine. Hoshina had washed away all the remaining hurt you felt from your past relationship, and you felt so safe with him. You were fine now.

“Soushirou, I think we should date secretly,” you said to him one day, and immediately he stopped what he was doing to sit next to you.

“Why?” he asked, eyes wide and tone serious. “I think we should share. If you're concerned about the media, surely it won't get out that quickly.” His voice softened. “Moreover, I'd like to brag about my lovely partner.”

You shook your head. “I'm alright now, Soushirou,” you said, softly but surely. “You make me feel alright.”

The look on his face softened and he looked so full of love it made you fluster. See? You'd be damned to let alone else see such an expression on his face.

“I'm thrilled,” he said, and you laughed a little. “No, I really am. How about we just tell close friends for now? And we can always tell more people later on. I'm serious when I say I want to brag about you a little.”

“That sounds great,” you said, a soft smile on your face. “I have some people I've been dying to share this news with too.”

It had been almost a year since the two of you started dating, and while you were both getting used to dating in secret by now, Hoshina was starting to get comfortable around you in public… almost a little too comfortable.

In the recent turn of events, the entire defense force had been far busier than ever, giving you both more work and less time to spend together. Although both of you loved the work you did, it was needless to say that you missed each other. A lot. This started to lead to quick kisses in an empty hallway or longing stares from across the meeting that lasted a little too long. You'd scold him later at night that people were going to start questioning it, but he truly couldn't care less anymore.

“But baby,” he said, his arms pulling you close. “I miss you.”

Your heart tightened as you leaned into his touch. You were in his room to wish him goodnight and scold him a little before you went to bed. You were calling it a day, but unfortunately, he wasn’t just yet. Your hands cupped his face as you rubbed your thumbs along his exhausted eyes. He didn’t need much sleep to keep him going, so he didn't really get eyebags, but you could tell he was tired.

“I miss you too,” you said and something in your heart broke a little. “If only we were in the same division at least.”

“Oh, if only,” he said.

“Soushirou, will you sleep soon?” you asked.

“I’m not sure…” he said, looking at the mountain of binders on his desk from all the research he was doing.

“Is there anything I can help you with?” you asked. “It’s probably quicker if we do it together.”

“No, go sleep,” he said. “It’s late enough as it is.”

“Then, together?” you asked, hopefully. It had been so long since he was last by your side while you fell asleep. “You look exhausted.”

He smiled softly and closed his laptop.

"Yeah," he said. "It's been a while since I fell asleep with you."

However, yet another week had gone by and there was no end to the work, and you were both utterly frustrated you couldn’t see each other. More of your kisses had been shared in empty offices than at home lately, and dinner was really the only time you had together. So at some point, you stopped caring about keeping your relationship private— if they find out, they find out.

It truly felt like a miracle when it was announced your division would be backing up the 3rd division in another kaiju attack. You had been so sick of watching Hoshina come home horribly beat up all the time ever since the kaiju attacks were often centred around the 3rd division base. You’d finally be of some help and you'd get to work with him.

Like Hoshina, you specialized in neutralizing smaller kaiju, and like Hoshina, you wielded a sword. Your division was only backing up the 3rd division, so you got to watch Hoshina expertly cut down kaiju and neutralize them while you made sure smaller yoju weren’t getting away. You loved watching Hoshina do what he did— there was such beauty in the way he used his blades. To others, it may look like some flashy moves from someone brimming with talent, but any sword user would see the careful foundational work behind every swing he did. It was truly nothing other than stunning to watch.

Yet, as more kaiju came his way and his suit seemed closer and closer to overheating, you couldn’t possibly just watch.

“Permission to backup Vice-Captain Hoshina, please,” you asked your operation room through your earpiece.

“Permission granted, please go ahead,” they immediately replied.

“Thank you,” you said and that was all you needed, you were rushing to his side. Oh, how you missed fighting with him. It was back when you were still a regular officer when Hoshina would often make time to help you with ways to use your sword that would fit you more— it’s been an awful long since then.

Hoshina had managed to slice just enough to expose a glimpse of the core, but that was all you needed. If the core was visible, you’d just pierce it— and you did exactly that. While Hoshina would slice at incredible speeds, you would pierce with your sword at precise gaps or points with impact.

“Oh, your work’s fantastic as always,” he said and you rolled your eyes.

“Says who,” you said.

These kaiju were just perfect for the way you worked together. They had an insanely hard shell so Hoshina would crack it in any way possible, and you'd jam your sword precisely into the cracks until you exposed the core. While it was tough work, you were ecstatic. It had been so long since you had worked with Hoshina and it reminded you of all the nights he had spent working with you. You had come so far— and he had been with you to get you this far.

Before you knew it, it was over— the honju had been neutralized and the yoju were taken care of. Before you knew it, Hoshina would be the grand vice-captain of the 3rd division that you had little connection with again.

“Reminded me of all that practice we would do so many years ago,” he said and that made you smile. He had treasured those moments too.

“I would love to tell you from back then that I’d actually make it somewhere,” you said to him. “That you weren’t merely wasting your time.”

“Not once had I not wished to help you,” he said immediately, almost cutting you off. “You couldn't possibly know just how thrilled I was to see another sword user.”

Your heart swelled— he meant the world to you.

There were a few of his officers nearby so you made sure to keep your voice down.

“How long have you loved me?” you asked, simply curious, but as soon as it left your lips you realized how awkward that sounded. “Sorry—”

“For forever,” he said, without hesitation. “Truly since we’d train all those years ago.”

Your eyes widened. You didn't expect that for some reason.

“Gosh, I’m just stupid, aren’t I?” you said, flabbergasted. If you had just cleared your mind, you wouldn’t have gotten played around by that stupid ex of yours and you would’ve been with him for so much longer.

“No,” he said, breaking eye contact, looking horribly ashamed. “I was just lame as hell. If I wasn’t a coward I wouldn’t have let an asshole take you away.”

You laughed. “I think that one was on me,” you said. “It’s okay, we’ll make up for lost time now.”

“Do you know that I love you?” he asked and that made you chuckle. You did.

“I love you too,” you said.

Your conversation was not loud enough for anyone to hear, and that was okay. It was just for the two of you. However, saying all this didn’t change the original problem of the sheer lack of time you had to spend with each other lately— so when were you going to make up for said lost time?

Simple, you’d use the time you had.

Hand-in-hand, you walked off the site together and neither of you could hide the smiles on your faces.

“Soushirou, when’s the last time we held hands?” you asked, and your question made you let out an appalled chuckle.

“Don’t ask,” he said. “I thought of the same thing just now and a part of me died.”

You’d hear other officers gasp softly or murmur when they saw you, but you’d let them wonder. You’d let them wonder why the Hoshina Soushirou looked so bashful, hand-in-hand with you. You'd let them wonder if he always smiled so lovingly around you.

You’d let them wonder if you were his special someone.

And they’d be right. You were.

[poorly-drawn-mdzs]

I started reading Dungeon Meshi last week, became instantly charmed and captivated, and blitzed through the entire manga in 4 days (and changed my profile picture about it). With that in mind, I would just like to say...

I love your dungeon meshi art so so much

CHILCHUCK!!!!!!!!

Thank you kindly! I love Dungeon Meshi a lot, so I'm happy to see so many people get into it for the first time.

CHILCHUCK!!!

[starry-bi-sky]

Stuck in the middle of a forest made of

Flesh and bones and they're all scared of

A lost little boy who has lost his heart

Fear's not enough, they have to

Tear him apart —-------

There are two things Daniel Fenton knows that his family knows as well: 

He’s adopted.

He can’t remember anything else before that.  

‘Adoption’ is a loose term, implying that they went through the official legal processes and troubles of adopting a child into their home willingly, and with the full intention of doing so going into it. That is not what happened. What happened is that Jasmine Fenton found a half-dead child, in strange clothing, in the middle of the woods at her Aunt Alicia’s cabin, and then she went and got her parents. 

What happened is that a twelve year old Danny woke up in the same cabin, wearing clothes much too big on him that didn’t belong to him, and with very little memory of before that moment. He wakes up like a spring being set loose, sitting up so fast he scares the daylights out of Jasmine Fenton sitting next to him. He wakes up, reaching for his sleeve for something that isn’t there, and when it isn’t his mind stutters, like he’s tripped at the top of a steep hill. 

When they ask him for his name, he tells them, clearing muddled thoughts from his mind; Danny. He’s twelve.

(He thinks that’s his name, at least. It sounds right; it feels right. If he thinks really hard about it, he thinks he can remember someone calling him that, utter adoration in their voice. So it must be his name.) 

The Jasmine girl convinces her parents to take him home with them, and they give him the spare guest room upstairs. He has nothing to fill it with.

It’s… a strange experience, to go to a ‘new’ home when he doesn’t even remember his old one. 

The official adoption process… happens. He can’t say it’s easy, or difficult. He’s oblivious for the most of it, Jasmine intends on helping him settle in and Danny can’t say he enjoys the smothering. He learns that he is stubbornly self-independent, that’s one new thing he knows about himself. 

His adoption papers say ‘Daniel J. Fenton’. Danny remembers staring at the name ‘Daniel’ for a long, long moment, something curdling sour in his sternum. His name is Danny, that he knows. But it’s not Daniel. But he doesn’t know any other way of saying it, so he keeps his complaints to himself.

(Jack Fenton boisterously claps his hand on Danny’s shoulder and jerks him around, grinning wide as he welcomes him into the Fenton Family. Danny’s mind blanches at the touch on his shoulder, an instinct snapping like the maw of a snake, telling him to cut off the man’s fingers for daring to touch him.) 

(He keeps the thought to himself, tension rising up his shoulders the longer Jack Fenton’s heavy hand stays on him.) 

They found Danny in the summer. It’s a perfect coincidence, Maddie Fenton says before she goes back into her lab with Jack Fenton. She says it’s enough time to allow Danny to adjust; that they’ll enroll him into the school year in the fall. Then she stuffs a canister of ectoplasm onto the top shelf, and disappears like the ghosts she studies back down the stairs.  

(There’s something eerily familiar about the ectoplasm sitting in the fridge, something unsettlingly so. Danny knows what that stuff is, but he doesn’t know where. When the house is empty, he takes a can from the fridge and inspects it.)

Jazz wants him to leave the house. Danny doesn’t want to step foot outside of the FentonWorks building until he has something that quells the feeling of vulnerability he gets whenever he does. He tried to once, and he felt exposed. Unsafe. 

He turned back around and went inside.

—-------

Where do we go

When the river's running slow

Where do we run

When the cats kill one by one

—------

One day, when the house is empty — or, as empty as it can be; the Fenton parents down in the lab, and jazz out with friends. Danny is making a sandwich, and he caves into the urge to flip the knife in his hands between his fingers. A childish impulse, but one he falls for nonetheless. It comes to him easily, like second nature, in fact. The slip of the blade between his fingers is seamless, flowing with an ease like water running down the wall.  

He’s almost startled by it; his body holds memories that his mind does not. Muscles that know which way to move and twist, limbs that know how to hold and how to throw. He continues twirling it, fascinated, as if he were a scientist discovering a new species of animal. 

It’s not for a handful of minutes when a new thought hits him; an impulsive thought that pops in the back of his mind like a firecracker; Danny moves without thinking. 

He turns, and throws the knife. The pull of his shoulder, the flick of his elbow, is familiar like a hug. He knows when to let go, and the blade flies through the air in impressive speed, embedding itself into the wall with a hearty, loud thunk. Sinking into the drywall like butter. 

Danny stares at it in shock, he feels relieved — about what? — before he feels the guilt. He scrambles across the kitchen to pull it out, heart racing in his chest at being caught, and prays no one notices the hole it left behind. 

(He runs up the stairs before anyone can find him, food forgotten, and hides the knife beneath his mattress like a guilty murder weapon.)

After that, he leaves the house more. It’s more out of fear of being caught than the desire to leave. But Danny is quickly learning that among all things, he is someone who was dangerous, before he lost his memory. Even with his mind in fractures, he is still dangerous. 

He’s not sure how to feel about that — he thinks he should be scared. He feels a little proud, instead.

—------

Hazel beneath our claws

While we wait for cerulean to cry

Unsettled ticks run through time

Enough for the hunt to go awry

—-----

There’s another thing he learns about himself. That he knows about since he woke up. He knows that he left someone behind. He doesn’t know who, but he knows they must have been close; he’s always looking down and finding himself surprised when the only shadow he sees is his own. 

He thinks that he must have sung to them a lot; he finds himself humming familiar melodies when he’s lost in thought. Lullabies lingering at the tip of his tongue, an instinct to turn and sing them to someone beside him. He can’t remember the lyrics, but his mouth does, it tries to get him to say them when he’s not thinking. He can’t. 

Danny’s found himself humming under his breath more times than he can count, trying to recall whatever it is his mind is trying to claw forward. 

(“That’s a pretty song, Danny.” Jazz tells him at breakfast one day, Danny screws his mouth shut. He hadn’t realized he was humming. “What is it?”) 

(Something mean and possessive rears its head on instinct, uncoiling like a snake from its ball. His shoulders hunch defensively, he bites his cheek to prevent himself from baring his teeth. He doesn’t know what song it is, but it’s not for her. “I don’t know.”)  

He misses his person. Dearly. He knows, the longer he is without them, that they must have been close. Otherwise, he wouldn’t feel like he’s missing a chunk from himself. He wouldn’t be turning to someone who's not there; reaching for a hand that’s missing, birdsong on his tongue, a story to tell. 

A dream haunts him one night. Warm and familiar, he’s holding onto someone smaller than him, they’re tucked into his side like a puzzle piece. He’s humming one of his songs that is always playing in the back of his mind, an unfinished tale of a harpy and a hare. Danny can’t remember their face, not all of it. He remembers green eyes, hair dark like his own, skin brown like his. 

He loves them more than anything else in the world, a fact he knows down to his soul. He loves them so much it fills his heart with sunlight. Danny squeezes them tight, nuzzling into their hair; he makes them laugh. Then, he proudly boasts something. That when he takes something of their father’s, that his person — a sibling? That feels right — will be… the word fades from Danny’s mind before he can make sense of it. 

His person hugs him tight, his… brother? And their mother — a woman whose face he can’t remember either, but who he loves like a limb nonetheless — appears, smiling. Her hands reach for them both, voice calling them, ‘her sons’. There’s ticking in the distance, it sounds like the fastening of chains.

Danny wakes up cold, tears streaming down his face. The details of the dream already fading from his mind like the cold pull of a corpse.   

—-------

Harpy hare

Where have you buried all your children?

Tell me so I say

—-------

When school starts that Fall, Danny joins the sixth grade class, and quickly learns more things about himself. One of those things being that he’s smarter than the rest of his grade, whatever education he had before, it was better than the one he’s getting now. 

Everyone knows he’s adopted right off the bat. He tells them when the teacher forces himself to introduce himself, but it’s not like they needed him to tell them for them to know; he never existed in their little world before now, and the Fentons are pale as they come. Danny is not.

He befriends Sam Manson and Tucker Foley; they ask him about the scars fading up and down his arms, they ask him about the scar carved diagonal across his face.

Danny, as politely as he can, tells them he doesn’t remember. He thought kindness would come second nature to him, his dream burned into his mind where he hugged his brother so sweetly. Apparently, his sweetness is only second nature to people he considers his own. 

(It becomes even more apparent when Dash Baxter tries to bully him later that day, and Danny ruffles like an eagle threatened. His mind whispers, hissy and agitated, sinking like a shadow at his shoulder, several different ways Danny could kill him for talking to him like that, and fifteen more ways he could cripple him.)

(Danny ignores those thoughts, up until Dash Baxter tries to grab him. Then he breaks his nose on the wood of his desk. It’s easy how quickly the rest of his grade sinks him down to the status of social pariah.)

(At least Sam and Tucker still talk to him after that. When Danny goes to the principal’s office later, he wisely doesn’t mention the worse things he could’ve done than break Dash Baxter’s nose.)  

—--------------

It clicks and it clatters in corners and borders

And they will never

Hear me here listen to croons and a calling

I'll tell them all the

Story, the sun, and the swallow, her sorrow

Singing me the tale of the Harpy and the Hare

—-------

More dreams come, of course they do. Each one halfway to forgotten whenever he wakes up, ticking faint in his ears. He is many different ages. He is young, shorter than a table. He is older, holding onto his little brother. He is singing in almost every single one. He is singing to his brother. 

Danny can barely remember the lyrics, he’s begun leaving a journal by his bedside so that it’s the first thing he can write down when he wakes up. He’s a storyteller, he learns. He feels like a historian, trying to piece together a culture long dead and forgotten. 

His most vivid dream-like memory is not a happy one, and for once he’s almost relieved he barely recalls it. He is somewhere that isn’t home, but his mother and brother are there. He is dressed in black, blades keen in his hands. 

They are atop a moving train. They are fleeing something. His brother is struggling to keep up, he is small, and young. It’s beautifully sunny, they are somewhere green and lovely. 

It is a fast dream. 

His brother stumbles on something, and Danny, fast as a whip, snatches him by the back of his shirt and hoists him up to his feet before he can fall. “Watch your feet, habibi.” He murmurs low, a hand on his back. It’s hard to hear, there is wind in their ears.

His brother, face obscured in all but his eyes, which are green as emeralds, nods. 

The dream blurs, but Danny falls behind. His foot catches on air — impossible, it should’ve been, at least. He never trips. — and he lands against the roof with a thud and a grunt. His mother and brother stop, and turn for him. 

The train hits a turn before Danny can get up, and he shouldn’t have, something pulls on him, he swears, but he slips. He can’t find the purchase to pull himself up, cold fear hits him as his nails scrape against the metal. 

His mother and brother’s horrified faces are the last thing he sees before he disappears off the side of the train. 

(The ticking is at its loudest when he wakes up, pounding against his inner skull. He only manages to write down ‘train fall’ in his journal, before he’s flipping over to press his head into his pillow to get the pain to stop.) 

—---  

She can't keep them all safe

They will die and be afraid

Mother, tell me so I say

(Mother, tell me so I say)

—-------

When Danny is fourteen he is still humming songs he can’t remember, his mind still in a broken puzzle. But his room is now decorated with stars and plants in every corner. He has a guitar he keeps in the corner of his room, and he plays the lullabies in his head on the strings over and over again. 

The ectoplasm in the fridge still unsettles him, still reminds him of a past he can’t recall. The knife beneath his mattress has returned to the kitchen — he doesn’t need it. He found a box in the attic last year, it had his name on it, and inside he found familiar, strange clothes, and more weapons than he thought was possible to carry on one person. 

(Even without knowing that the Fentons prefer guns to blades, Danny knows, instinctively, that they were his weapons. He was — was? Is — a dangerous person. He takes the box down to his room to sort through. The weapons all fit into his callused hands almost perfectly — the grooves worn to fit his palm. They’re just a little small.) 

(He tentatively takes a small blade with him to school one day, and feels much more comfortable with it sheathed beneath his shirt. He’s kept it on him ever since, like he’s reunited a lost limb to himself.)   

Danny doesn’t have a name for his person, his little brother, nor does he have a name for his beloved mother. He’s haunted by dreams every few weeks, many of them repeating. He’s ingrained the words he can remember to memory, and the ones he doesn’t, he writes down in his journal. His little brother; Danny calls him a bird, he can’t figure out what kind. His little bird of some kind; when Danny takes something from their father — what, he can’t remember what — then his little brother will be a little bird. 

(He doesn’t have a name for his brother, yet, but he’s calling his birdie in his head. It’s better than nothing.)

—------

Seeker, do you ever come to wonder

If what you're looking for is within where you hold

Will you leave a trail for them to follow a path

You'll soon forget

Home

—---------

When he’s fourteen, Danny dies. It does nothing to fix his fractured memories, much to his consternation. It just confirms something he already knows; that he was someone dangerous, and that he still is. 

When the shock of death has worn off, Danny inspects his ghost in the metal reflection of the closest table. It’s blurry, hard to see, but shock green eyes pierce back at him, green like the portal. Lazarus, Danny’s mind whispers, and he blinks rapidly.

‘Lazarus,’ he mouths to himself. It’s familiar. Sam shows him with her phone what he looks like, joking that he looks like an assassin. Danny doesn’t think she’s that too far off. 

He doesn’t tell her that. He tucks the thought away with the rest of his secrets, and fiddles with the hood gathering at his neck, attached to a cape with torn edges swinging down to his ankles. He pulls it over his shock white hair. It shadows over his face impossibly so, until all you can see are his green-green eyes peering out like a wolf hiding in the brush.

He ends up calling himself Phantom. 

(Maybe now he can start putting lyrics to his lullabies; his memories may not have returned, locked away with the sound of a clock, but the dead can talk. One of them may just have answers.) 

----------

Home is where we are

Home is where you are

Home is where I am

-----------------

Dedicated to @gascansposts for being the one who introduced me to the band Yaelokre, and thus being the whole reason I was inspired to write this in the first place >:] Those lyrics at the line breaks are all from their album Hayfields.

[somegrumpynerd]

A little animation I made of Dream and Nightmare for fun, it's pretty short and simple but not bad for my second go at animation I think ^^

The music is from here, I highly recommend listening to the full thing cause it's so beautiful!

Quick explanation for the song and a gif version under the cut

So when I was first dipping my toes into utmv stuff like a year ago, I made a slideshow for my sister with a bunch of au Sanses, let her guess what kinda vibe she thought they had and then gave her a list of names/ aus to see if she could figure out who was who (she did surprisingly well and I'm proud of her).

Well, when I first showed her pictures of Dream her immediate reaction was "this guy looks like he's from zelda" and it's just always stuck with me. Somewhere along the way I started headcanoning Dream playing some kind of instrument when they were kids and when I heard the pan flute version of zelda's lullaby everything kind of fell into place.

So here they are, having a little moment of peace finally, brothers together again c:

[manchesterau]

happy 15 years of dan and phil!

[halosmoon]

A greater woman wouldn't beg

But I looked to the sky and said

[puppyeared]

beep beep im a sheep

speeddraw below the cut (audio warning)

song: "Cult of Dionysis" by The Orion Experience

[ourhouseishaunted]

Vash and Chronica's terrible sibling game night

[callisteios]

I have a new uquiz for you, go on a pilgrimage with me. discover who you are.